The Viktor Wilt Show

The kind of Tuesday that should’ve been canceled on arrival. It began with Viktor desperately negotiating with himself over coffee intake, a tragic battle between “too early” and “too necessary,” before spiraling into a chaotic debate about perfect no-skip albums. Fleetwood Mac got side-eyed, Tool and Nine Inch Nails got knighted as sonic saints, and a random caller named Robert showed up from the void to shout out Avenged Sevenfold like a prophet of mid-2000s metal. From there, the show disintegrated gloriously: a rant about radio programmers who play only what they like, a tirade on slow drivers clogging Sunnyside at 5:45 a.m., and a deep dive into “small inconveniences that make your blood boil” that somehow ended with Viktor yelling about pop-ups, rude customers, and Dave Ramsey. Then came the chaos vortex — a fake Turning Point USA Super Bowl flyer “sponsored by Grindr and featuring Measles,” a man arrested for drive-by cheeseburger battery, and social media users growing dumber by the minute. Peaches joined in mid-episode to announce it was “pretty outside,” which triggered a weather meltdown, a snow rant, and a side quest about selling appliances on-air. The duo roasted Sleep Token fans, Taylor Swift lore, and the entire concept of gastropubs before Viktor capped it off by reading the lyrics to “Whiskey Lullaby” like a deranged funeral priest while Sarah McLachlan played in his head. The show ended with him coding 700 depressing country songs, threatening to barricade himself in the house until further notice, and declaring war on bad music, bad people, and bad vibes. It was chaos, caffeine, existential dread, and outlaw country — in other words, a perfect Tuesday on The Viktor Wilt Show.